Browsing Vol. 07 No. 2, June 2008 by Submit Date
Now showing items 1-20 of 34
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Bozzetto, Roger. Fantastique et mythologies modernes. Aix-en-Provence : Publications de l'Université de Provence, 2007. 244 p. ISBN : 9782853996839
(Dalhousie University. Electronic Text Centre., 2008-06) -
Artiaga, Loïc. Des torrents de papier. Catholicisme et lectures populaires au XIXe siècle. Préface de Jean-Yves Mollier. Limoges : PULIM, 2007. 193 p. ISBN : 978- 2-84287-441-4
(Dalhousie University. Electronic Text Centre., 2008-06) -
Salgari, Emilio. L'Innocenza. A cura di Roberto Fioraso. Presentazione di Agostino Contò, con un saggio di Silvia Blezza Picherle. Biblioteca Civica di Verona / Ilcorsaronero, 2007. 137 p.
(Dalhousie University. Electronic Text Centre., 2008-06) -
Rouvière, Nicolas. Astérix ou la parodie des identités. Paris : Champs-Flammarion, 2008. ISBN : 978-2-0812-0926-8
(Dalhousie University. Electronic Text Centre., 2008-06) -
Luigi Motta, scrittore di avventure. A cura di Claudio Gallo e Paola Tiloca. Verona: Perosini Editore / Biblioteca Civica di Verona, "Studi e cataloghi" no. 39, 2007. p. 205.
(Dalhousie University. Electronic Text Centre., 2008-06) -
Dixmier, Michel, Annie Duprat, Bruno Guignard, Bertrand Tillier, Jean-Noël Jeanneney. Quand le crayon attaque. Images satiriques et opinion publique en France 1814-1918. Paris : Editions Autrement, 2007. ISBN : 978-2-7467-1052- 8
(Dalhousie University. Electronic Text Centre., 2008-06) -
Huftier, Arnaud. Stanislas-André Steeman. Aux limites de la fiction policière. Amiens : Encrage, 2006. 287 p. ISBN : 2-251-74141-0-21
(Dalhousie University. Electronic Text Centre., 2008-06) -
Les Bourlingueuses de la plume: Portraits de voyageuses-écrivains dans l'entre-deux-guerres
(Dalhousie University. Electronic Text Centre, 2008)For a woman in the inter-war period, getting into the media game of travel writing is an adventure in itself. In spite of this, many have tried to rival the male writers/travellers of the time and to impose their own style ... -
Fenomenologia del paesaggio: Il ruolo della descrizione in Le tour du monde en quatre-vingt jours
(Dalhousie University. Electronic Text Centre, 2008)Roland Barthes states that all literary descriptions originate from a previously "framed" referent, understood first of all in pictorial terms. It may therefore be interesting to compare the different descriptive practices ... -
Caroline Marbouty ou la 'fausse position' de la femme auteur
(Dalhousie University. Electronic Text Centre, 2008)"Never like today has woman been as under-utilized. The only life accorded to her is that of her feelings, and feelings are devalued." ("Préface to Ange De Spola", Etudes de femmes, 2 volumes, Paris, Victor Magen, 1842). ... -
Pourquoi tant d'histoires? T. Combe (1856-1933) ou la mesure des possibles d'une romancière et journaliste dans la Suisse de la Belle Epoque
(Dalhousie University. Electronic Text Centre, 2008)At the beginning of the twentieth-century, a former teacher who became a novelist and newspaper writer, well-known even beyond the borders of her native Switzerland, buys a « house of her own » both cozy and considerably ... -
Observer, témoigner, dénoncer: Le Reportage au miroir de ses stratégies argumentatives: Albert Londres, Chez les fous
(Dalhousie University. Electronic Text Centre, 2008)Chez les fous is not considered nowadays as the most famous of Albet Londres' great "reportages". Its success at the time of its first printing in Le Petit Parisien in 1925, and in book form the same year by the publisher ... -
Ouvrières des lettres: Les Romancières dans la production de la littérature de masse de la première moitié du XXe siècle
(Dalhousie University. Electronic Text Centre, 2008) -
Stratégies narratives et mises en scène lexicales du roman sentimental sériel contemporain: L'Auteure, le corps et les sentiments
(Dalhousie University. Electronic Text Centre, 2008)Love novels apparently suffer from an identity problem. It is generally thought that their women writers produce virtually identical novels according to a fixed recipe, described by Gustave Reynier as "a love, an obstacle, ... -
Femme, je vous aime ... '? Nora Roberts, une inconnue sortie de l'ombre dans l'univers sentimental
(Dalhousie University. Electronic Text Centre, 2008)Even today, it is far from easy for a woman author to achieve recognition while working in an almost exclusively feminine genre, despised by the mostly male critics who wield power in the symbolic domain. Authors of romance ... -
De la 'petite Annie' à la 'grande Ernaux': L'Evolution de la critique, des Armoires vides à Passion simple (1974-1992)
(Dalhousie University. Electronic Text Centre, 2008)This article offers a polemical perspective on the critical reception of Annie Ernaux's first books, over approximately twenty years. A methodical analysis of newspaper articles shows the workings of a pernicious, hidden ... -
Stratégies narratives et engagement politique d'une écrivaine au XIXe siècle: André Léo, L'Epousée du bandit (1880)
(Dalhousie University. Electronic Text Centre, 2008)The adventurous life and the complex oeuvre of André Léo (1824-1900) have long escaped the interest of literary historians and critics. It is only recently that this woman author has begun to emerge from a century-long ... -
L'Itinéraire d'une féministe romantique: Carolina Coronado, femme et poète entre force et fragilité
(Dalhousie University. Electronic Text Centre, 2008)Carolina Coronado, born in 1820 in a liberal Spanish family, received in spite of this a very traditional education and was expected to conform to her role as an obedient daughter and wife, whose life would be limited to ... -
Les Débuts littéraires complexes de quatre romancières régionales du Nord-Pas-de-Calais
(Dalhousie University. Electronic Text Centre, 2008)Quatre écrivaines du Nord – Pas-de-Calais, nées entre 1929 et 1949, Marie-Paul Armand, Annie Degroote, Raymonde Menuge-Wacrenier et Gilberte-Louise Niquet ont publié à elles quatre depuis 1985 une trentaine de romans ou ... -
Les 'Chéries noires': Ecriture féminine et roman noir
(Dalhousie University. Electronic Text Centre, 2008)Towards the end of the eighties and through the nineties, women have been increasingly visible and present in the field of French "noir" fiction, up until then reserved for men, as opposed to the more traditional thriller ...